Use the HTML below. A man tries to find out who his real mother is after the woman who raised him tells him the truth. Spragnieni miłości (2000) Fa yeung nin wa - Hongkong 1962. The English title derives from the song "I'm in the Mood for Love". They have everything in common from noodle shops to martial arts. It's a genuinely romantic romance and makes for sublime cinema. Oboje osamotnieni z powodu nieobecności małżonków zaczynają darzyć się uczuciem. "[9] On Metacritic, the film has a weighted average score of 85 out of 100 based on 28 critic reviews, indicating "universal acclaim". She calls Chow, who is working for a Singaporean newspaper, but she remains silent when Chow picks up. I'm in the mood for love. A broken-hearted hit man moves to the desert where he finds skilled swordsmen to carry out his contract killings. It had been Cheung's most recognized performance to date and her hardest, partly due to the clothing, which restricted her freedom of movement. Wong had regarded Days of Being Wild upon its release in 1990 as an artistic success, and had planned a sequel to it. [13] Peter Walker of The Guardian, describing it as his "favourite film", wrote that it provides "profound and moving reflections on life's fundamentals. Director Wong Kar-wai found the English title for In the Mood for Love (2000) while listening to a song from a Bryan Ferry CD with a similar title, "I'm in the Mood for Love." Finally having completed the cut, but at a loss for titles, Wong was listening to a then-recent album by Bryan Ferry and Roxy Music titled Slave to Love: The Very Best of the Ballads, and noticed a resonance in the song "I'm in the Mood for Love", which shared its title with a popular jazz standard of the mid-20th century. All of the wonderful faces and images from the past lead us back to the beautiful memory of a bygone era. Christopher Doyle later discussed the necessity of filming where the streets, the buildings, and even the sight of clothes hanging on lines (as in 1960s Hong Kong) could give a real energy to the actors and the story, whose outlines were constantly open to revision as shooting progressed. Wong had set his breakthrough Days of Being Wild in that time in Hong Kong, when mainland-born Chinese and their memories, including those of Wong, then a young child, had a strong presence in the territory. I say cunning because, of course, this makes it difficult for the audience (and the characters) to tell what is "in-role" and what is genuine. In the hands of Wong Kar-wai ... the film is alive with delicacy and feeling". The music was written by Jimmy McHugh, with the lyrics by Dorothy Fields.The song was introduced by Frances Langford in the movie Every Night at Eight released that year.. Several years later Doyle initially signed on to work on the sequel 2046, but he also abandoned that project halfway through for similar reasons (being replaced by a range of DPs) and has not worked with Wong since. Most of the story is cunningly woven around a series of set piece role plays, where the characters act out presumed scenarios between their respective spouses, trying to work out how the affair started. Get a sneak peek of the new version of this page. Due to the friendly but overbearing presence of a Shanghainese landlady, Mrs. Suen, and their bustling, mahjong-playing neighbours, Chow and Su often find themselves alone in their rooms. A couple take a trip to Argentina but both men find their lives drifting apart in opposite directions. Some scenes in the final cut are thought to have been shot by each, with some critics noting differences between Doyle's more kinetic style as seen in earlier Wong movies, and the more subtle long shots of Lee framing key parts of In the Mood for Love. It's a film about, yes, love; but also betrayal, loss, missed opportunities, memory, the brutality of time's passage, loneliness—the list goes on". Wong had little taste for working in studio settings, let alone using special effects to imitate the look of past times. 24 hours in the lives of three young men in the French suburbs the day after a violent riot. With Tony Chiu-Wai Leung, Maggie Cheung, Ping Lam Siu, Tung Cho 'Joe' Cheung. Find out where In the Mood for Love is streaming, if In the Mood for Love is on Netflix, and get news and updates, on Decider. 2000. Wong Kar-Wai's 2000 In the Mood for Love may be the best film, thus far, of the 21st Century. The next year, Su goes to Singapore and visits Chow's apartment. Unashamedly so. [23], Learn how and when to remove this template message, Broadcast Film Critics Association Awards, "In the Mood for Love Movie Review (2001)", "FILM FESTIVAL REVIEW; Just Next-Door Neighbors Till Love Breaches Walls", "My favourite film: In the Mood for Love", "The 100 Best Films of World Cinema | 42. With their spouses often away, Chow and … "[15], In 2000, Empire ranked it number 42 in its list titled "The 100 Best Films of World Cinema. Hong Kong, 1962: Chow Mo-Wan (Tony Leung Chiu Wai) and Su Li-Zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day. I'm In The Mood For Love by Nat King Cole W/ Lyrics - YouTube Music by Jimmy McHugh (uncredited) and lyrics by Dorothy Fields (uncredited) Performed by Bryan Ferry. Become A Better Singer In Only 30 Days, With Easy Video Lessons! If Kar-wai's Chungking Express is an ode to romance, longing and 90s Hong Kong then In the Mood for Love is an ode to 60s Hong Kong, nostalgia and desire. Despite the general lack of commercial interest in Chinese cinema at the time by North American media corporations, Wong was given a distribution deal for a limited theatrical release in North America on USA Films, based only on a few minutes of footage. It tells the story of a man (played by Tony Leung) and a woman (Maggie Cheung) whose spouses have an affair together and who slowly develop feelings for each other. Is it any wonder I'm in the mood for love? Leung's few scenes had been left incomplete, awaiting Wong's planned sequel that was never made. Later, Chow realises she has visited his apartment after seeing a lipstick-stained cigarette butt in his ashtray. In the Mood for Love, its hotel room and frustrated love affair, become the origin for 2046’s obsessive longing. He had begun work on script treatments, which since Days of Being Wild, he tended to treat as only a very loose basis for his work to secure financing, preferring to leave things open to change during the shoot. In 2015, the Busan International Film Festival ranked the film No. It became Langford's signature song. Composed and Arranged by Michael Galasso. However, despite his agreement with Wong's spontaneous approach to scripting, he found it frustrating to reshoot many of the key moments over and over in environments throughout Southeast Asia until they felt right to the director. Although the title in Cantonese and Mandarin is based on a Zhou Xuan song whose English title is translated "Age of Bloom", the international title proved more complex. It was even popular with mainstream audiences in Hong Kong, despite its then-unusual focus on a gay love story and its having been largely improvised in Argentina, a landscape unfamiliar to Wong. In the Mood for Love made HK$8,663,227 during its Hong Kong run. [11] Elvis Mitchell, writing for The New York Times, referred to it as "probably the most breathtakingly gorgeous film of the year". Adultery has sullied their lives: his wife and her husband are having an affair. Discover some of our favorites from the wide range of films the Academy chose to honor with a recap of the big winners at the 2021 Oscars. Two neighbors, a woman and a man, form a strong bond after both suspect extramarital activities of their spouses. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. The final months of production and post-production on In the Mood for Love, a submission to the Cannes Film Festival in May 2000, were notorious for their confusion. Mo-wan's Dialogue. Taking place in Hong Kong of 1962, a melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other. “2046” is thus the symbolic companion to the physical thresholds, like the doorway Mr Chang exits from In the Mood for Love, that underscore Wong’s cinema. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates. It wanders in rather lazily at 98mins: not particularly long for a film, but it appears longer because not a lot really happens. Everybody thinks James Stewart is a nice guy, so nobody thinks that his character is actually very sick."[5]. They are in the mood for love, but not in the time and place for it. It's the same in Vertigo. Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. [12], Peter Travers of Rolling Stone wrote that "In the hands of a hack, In the Mood for Love could have been a snickering sex farce. Cheung portrayed 1930s Chinese screen icon Ruan Lingyu in Stanley Kwan's 1992 film Center Stage, for which she wore qipao, the dresses worn by stylish Chinese women throughout much of the first half of the 20th century. 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