“The thought of the future needn’t depress us, since we have none.” Éric Rohmer’s third of his six moral tales, My Night at Maud’s, concerns a Catholic man, Jean-Louis, who lives life practising a philosophy based on rationalisation and mathematical probability. My Night at Maud's is the third in the Six Moral tales series. This episode was released on Videoland's on-demand service in the Netherlands on Never shall I forget that smoke. Quotes Important Quotes Explained. We break down the ending of the Netflix movie. Consequently, the encounter forces him to reassess his own moral standing. These are ploys to lure him closer, and he has his own. In the brilliantly accomplished centerpiece of Rohmer's "Moral Tales" series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of sixties cinema. My Night at Maud’s. They talk about sex, love, marriage and divorce. If you REALLY want to be tested by a Rohmer character, however, you must see The Green Ray, where the main character becomes irritating to the point where I felt compelled to leave the room for several minutes(!! This section of the poem is eleven stanzas long and begins with the well-known line, ‘Come into the garden, Maud”. It's the third movie of the famous 'Six Moral Tales' series which consists of six movies, My Night at Maud's was released following 'The Bakery Girl of Monceau' and Suzanne's Career. Jean-Louis ends up staying the night at Maud's apartment, where they discuss religion, love, ethics, and Maud unsuccessfully tries to seduce her guest. The end of My Night at Maud’s — a coda that takes place years later, in which we learn that Jean-Louis and Francoise are married and that she may have had an affair with Maud’s husband —felt more forced than most, but the result is the same: despite the film’s slow pacing (or, more likely, because of it) I became anxious for the film’s conclusion, unaware of which way the story would turn until it did. Saint Maud is unexpected, even by horror movie standards.. Sure, writer-director Rose Glass revisits the same thematic ground broken decades ago by iconic titles, including Rosemary's Baby, The Exorcist, and The Omen. Operation Varsity Blues: The College Admissions Scandal, Nomadland, I May Destroy You Take Top Honors at 2021 Film Independent Spirit Awards, It's Alive! He's held jobs overseas for several years, but when we meet him, he is employed by Michelin in a French provincial capital, and is in love at a distance with a blond girl he's never met: He sees her in church on Sundays and occasionally sees her guiding her motorcycle through the streets. Structure of from Maud (Part I). The rest of the film springs from this scene, expanding it and commenting on it, and there is a quietly revealing ending that takes place five years later and makes certain things clear about the various relationships. Made in 1968 Ma Nuit chez Maud (My Night at Maud’s) is the third (actually made fourth) of Éric Rohmer’s Six Contes moreaux (Six Moral Tales). Let's begin with agreeing that My Night at Maud's is the most important Eric Rohmer picture. In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. Directed by Eric Rohmer • 1969 • France. But unlike so many of the "religious horror" films that came before it, Saint Maud doesn’t have its characters confront the devil or wage war on any unholy spirit. A pious Catholic engineer in his early... Read more . The two people talk nearly all night. A devout Catholic engineer, who has his mind set on marrying a nice girl he sees at church, spends a chaste night with a liberated divorcee named Maud. Fast, free delivery. But there are times, when she signals that he's violating her personal space, or territorial imperative, or whatever it's called. I have not yet found a director whose characters demonstrate more nuance and complexity than Rohmer's; their intellectual musings, while amusingly French, lend a depth and subtext to the films which make them worth seeing over and over. I had the sense of coming home to myself, and of having found out what a little circle man's experience is. "My Night at Maud's" was the hit of the 1969 New York Film Festival, and that is not surprising. Get unlimited DVD Movies & TV Shows delivered to your door with no late fees, ever. To write about this long, magnificent scene is inadequate; it must be seen. Then Jean-Louis gets to work engineering a … He takes the church's teachings on courtship and marriage quite seriously and is articulate in defending them against his dissenting friends. My Night at Maud’s/Ma nuit chez Maud (1969 France 110 mins). Most impressive is his ability to build a logical dramatic tension into his finales. She asks for a cigarette at one time, a drink of water at another. Jahkor may have broken the cycle of pain in All Day and a Night⁠—but he had to survive a final attack to get there. Jean-Louis sits in one chair or another, or walks around the room. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features © 2021 … It is the third film (fourth in order of release) in his series of Six Moral Tales. For another allusion to Pascal's wager, see Rohmer's A Winter's Tale, where a character's faith is similarly rewarded (Rohmer clearly was Catholic). A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. The feelings of that night were so near that I could reach out and touch them with my hand. Maud is a divorcee who dates the old friend but won't marry him. I have seen several of Rohmer’s films over the last few months, and they never fail to elicit from me the same response. Acting is not only the art of speaking or making gestures, but the art of reacting as well. Its magic comes from the magic of acting. From Maud (Part I) by Alfred, Lord Tennyson is an eleven stanza excerpt from the longer poem, ‘Maud’. It is a triumph of direction, certainly. But, without exception, I have eventually fallen into Rohmer’s rhythms and become fascinated by those same characters. : On the Many Faces of Frankenstein, Shadow and Bone Sets Itself Apart from the YA Pack with Welcome Restraint, Geena Davis and Wendy Guerrero Preview the 2021 Bentonville Film Festival, Running August 3-8. ), I am sympathetic to the reviewer's response to Rohmer's characters who, like the actual people we must contend with in our lives, require considerable patience. It is the third film (fourth in order of release) in his series of Six Moral Tales. It is just about the best movie I've seen on all four subjects. And then follows one of the most marvelously observed scenes of human behavior I can remember in a film. One month free trial! The conversation moves from flippancy to intimacy, and then has a way of drawing back from too much truth-telling. With Jean-Louis Trintignant, Françoise Fabian, Marie-Christine Barrault, Antoine Vitez. For if God does not exist, and we lose the bet, then our loss is inconsequential. Nearing the ending of Ophüls' masterwork, Liebelei (1933), we receive a shocking revelation. They are different situations, different men, different women, and Rohmer aims to explore the topic in such a way to make the journey ten times more provocative than … Maud is in her nightgown and sits in bed propped up against her pillows. Thirty minutes into them, I’m typically annoyed, either by the characters or by Rohmer’s style. Nice review! Directed by Éric Rohmer. A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. 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